Lesbian waitress in ‘anti-gay’ receipt flap fired | New York Post
A New milk cow waitress who raked in thousands in donations aft claiming a small indefinite amount didn’t tip her because she’s gay was fired from her job on Saturday. Dayna Morales, 22, was finally canned from Gallop denizen Bistro in Bridgewater — near a calendar month later on she ready-made national headlines all over what’s prospective a hoax. Morales and Gallop denizen Bistro experience made a concerted decision that Ms. The eating house proclaimed her expiration on Facebook sabbatum short aft it was revealed she was returning donations from supporters across the world. Morales module no longer go on her employment at our restaurant,” the eatery wrote.
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The lesbian blues singers of 1920s Harlem: How speakeasies and underground jazz bars became a home-from-home for New York's 'sexual deviants' | Daily Mail Online
In T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s, filmmaker parliamentarian Philipson examines the sexual proclivities of depression singers during the city district Renaissance, who verbalised their faithful tendencies in speakeasies and dive bars, and hinted at their homo eroticism through lyrics. Talk to the gals just similar any old man' Secret: Women like body fluid (pictured circa 1929) expressed their gender 'under the cover of night,' explains Mr Philipson, adding: 'Aspiring post-Victorian middle-class blacks were identical hostile to homosexuality' However, he notes that while these women were in the minority, the mere realness these references existed at all was 'remarkable, given the times,' he says. Revealed: In T'Ain't Nobody's Bizness: strange african-american music Divas of the 1920s, filmmaker Robert Philipson examines the sexual proclivities of vapours singers suchlike Gladys Bentley (pictured) during the Harlem Renaissance Hide away: histrion and singer Ethel Waters (pictured circa 1930s) kept her gay woman relation with performer Ethel vocaliser private, plane fashioning sure 20th century biographies didn't mention that they lived put together Clues: Gertrude 'Ma' Rainey (right), who came to be illustrious as the give care of the Blues, hinted at her sex in her lyrics: 'It's apodeictic I wear a collar and a tie. 'You sure never saw it in any other part of denizen culture.'Indeed, common Christian impression at that time upheld the conception that homosexuality was wrong, and many another black Americans were endeavour to be 'respectable' citizens during 'one of the worst periods of racial segregation in American history,' notes Mr Philipson. 'What was occurring was occurring clandestinely or within urban settings that were further or less secret and delicate to penetrate,' he adds, explaining that 'aspiring post-Victorian middle-class blacks' were 'very hostile' to homosexuality.