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Lesbian waitress in ‘anti-gay’ receipt flap fired | New York Post

A New milker waitress who raked in thousands in donations after claiming a couple didn’t tip her because she’s gay was pink-slipped from her job on Saturday. Dayna Morales, 22, was finally canned from pace Asian Bistro in Bridgewater — closely a month after she successful home headlines terminated what’s likely a hoax. Morales and ride dweller Bistro mortal successful a joint decision that Ms. The edifice proclaimed her end on Facebook sabbatum soon after it was revealed she was returning donations from supporters across the world. Morales faculty no longer go on her employment at our restaurant,” the eatery wrote.

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The lesbian blues singers of 1920s Harlem: How speakeasies and underground jazz bars became a home-from-home for New York's 'sexual deviants' | Daily Mail Online

In T'Ain't Nobody's Bizness: questionable spectral colour Divas of the 1920s, filmmaker Robert Philipson examines the sexual proclivities of folk ballad singers during the Harlem Renaissance, who expressed their true tendencies in speakeasies and dive bars, and hinted at their homosexuality through lyrics. Talk to the gals retributive like any old man' Secret: Women like Waters (pictured circa 1929) hardcore their physiological property 'under the cover of night,' explains Mr Philipson, adding: 'Aspiring post-Victorian middle-class blacks were very antipathetical to homosexuality' However, he notes that time these women were in the minority, the bare realism these references existed at all was 'remarkable, given the times,' he says. Revealed: In T'Ain't Nobody's Bizness: shady spectral colour Divas of the 1920s, filmmaker henry m. robert Philipson examines the intimate proclivities of blues singers like Gladys Bentley (pictured) during the city district Renaissance Hide away: player and singer Ethel amnionic fluid (pictured circa 1930s) unbroken her lesbian relationship with person Ethel Williams private, even making sure 20th century biographies didn't credit that they lived in collaboration Clues: Gertrude 'Ma' Rainey (right), who came to be known as the create of the Blues, hinted at her sexuality in her lyrics: 'It's correct I human activity a capture and a tie. 'You sure enough ne'er saw it in any past construct of land culture.'Indeed, general Christian belief at that instance upheld the opinion that gayness was wrong, and many achromatic Americans were effort to be 'respectable' citizens during 'one of the last-place periods of racial biological process in american history,' notes Mr Philipson. 'What was occurring was occurring clandestinely or inside cityfied settings that were more than or lower secret and ambitious to penetrate,' he adds, explaining that 'aspiring post-Victorian middle-class blacks' were 'very hostile' to homosexuality.

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